3. Between two Courts: Gerard van Honthorst and Stuart Patrons in London and The Hague
Michele L. Frederick*
*Thank you for the enthusiastic engagement of Rieke van Leeuwen and Angela Jager at the RKD for putting together the wonderful program in which this paper was first presented in 2022, and for their patience and leadership in putting this volume together. I would like to thank the Center for Advanced Study in the Visual Arts (CASVA), at the National Gallery of Art, Washington, D.C., for their support of the research on which this article is based. My research was also aided by numerous colleagues in museums and universities throughout the United States and Europe, for which I am enduringly grateful.
Cover image
Gerard van Honthorst
The Concert, dated 1623
Washington (D.C.), National Gallery of Art (Washington), inv./cat.nr. 2013.38.1